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- color and media management
- dailies and on-set color grading
- metadata and color-accurate rushes
- file-based post-production workflows for major cinema camera systems, including specialty cameras for high-speed and infrared applications
- post-production workflow planning and supervision
- editing narrative films and videos both offline and on location
- online editing, digital intermediate (DI) processes, and conforming, with proficiency in mastering various formats
- multi-camera live streaming
- troubleshooting Avid and Apple hardware and software, as well as diagnosing and resolving issues with cameras and on-set video equipment
- proficient in a wide range of post-production software, including but not limited to Avid, NUKE-X, Resolve, Scratch, Premiere, Final Cut, After Effects, and Photoshop
- compositing skills in 2.5D, capable of providing fast on-set previews
Contact me for a quote.